Artistic Leadership

Donna Marisa Bontrager

Artistic Director

Ballet Fantastiqe’s Canadian-born Artistic Director, Donna Marisa Bontrager, is a choreographer and expert master teacher in the Russian Vaganova Syllabus. In New York, Ms. Bontrager worked closely for many years with Vaganova pedagogy experts Karl Singleterry and Marvin Askew (Buffalo City Ballet), Bernadine deMike (Royale Dance Theatre New York), and New Yorker Howard Epstein (John Barker’s personal assistant), and studied the extensive materials of Oleg Briansky. These experts have been influential in bringing Vaganova’s notated syllabus to American teachers, dancers, and training academies. Ms. Bontrager’s performance résumé embraces work with New York companies, including Empire State Ballet, Buffalo City Ballet, Royale Dance Theatre New York, and Festival Choir Ballet. In addition, she was one of ten dancers invited to perform as part of the international Feast of the Tabernacles in Jerusalem, Israel, and has been invited to join the World Congress on Dance.

With the Chamber Company, Ms. Bontrager has overseen Ballet Fantastique repertoire and productions involving partnerships with choirs, opera, and soloist vocalists, symphony and chamber orchestras, literary and visual artists, and composers. Ms. Bontrager has staged numerous concerts and original ballets for Ballet Fantastique, including Fairytale Favorites and Cakewalk Ballet; many critically-acclaimed Hult Center productions, including Danse en Rouge: Variations in Red, Danse Renaissance, Tour de Suites, and Mosaico de Danza; and innovative collaborations with musicians and organizations, including commissioned work by Eugene Symphony (Carnival of the Animals) and the Oregon Mozart Players (Glazunov’s Four Novelettes). Under Ms. Bontrager’s leadership, Ballet Fantastique has also worked with Trio Voronezh, the Oregon Shakespeare Festival, and the Slavic Festival: Star-Filled Russian Nights (Silva Concert Hall). Ms. Bontrager’s love of the arts also extends to her design work as a graduate of the University of Oregon’s School of Architecture and in the creation of Ballet Fantastique’s critically-acclaimed costumes.

Out of her many years of teaching and performance experience and as Artistic Director of The Academy of Ballet Fantastique, Ms. Bontrager has developed the complete curriculum for The Academy of Ballet Fantastique, directly following the notated Vaganova Syllabus. She works closely with all Academy of Ballet Fantastique students in their training, choreography, and performance.

Hannah Joy Bontrager

Executive Director

Executive Director Hannah Joy Bontrager has extensive experience as a professional dancer », teacher », choreographer, and arts administrator. Hannah graduated summa cum laude and phi beta kappa from the Robert D. Clark Honors College of the University of Oregon, where, as a full scholarship student, she earned concurrent degrees in Dance and English Literature and a minor in Community Arts through the graduate Arts Administration program. Her honors thesis, Moving Education: Building an Integrated In-School Dance Curriculum for Elementary School Classrooms, explores the challenges and opportunities of dance education under the No Child Left Behind Act, and is on the forefront in the national dialogue on integrated arts education and research. Hannah has lead a number of successful, cutting-edge initiatives for Ballet Fantastique, including the EXPERIENCE DANCE! Project, the Art Together Collaborative, and Project DanceREACH. Under Hannah"s leadership, Ballet Fantastique has earned repeat grant awards from Lane Arts Council, US Bank, and the Haugland Foundation. Hannah has given professional presentations on behalf of Ballet Fantastique for the American Association of University Women and the Rotary Club.

Jeremy DeKyle Schropp

Resident Composer

Jeremy DeKyle Schropp is a Northwest-based composer. Jeremy's notable achievements include the composition of incidental music for “Where To Turelu,” a Kansas University Children’s Theater production, and a commissioned residency at New York University's Steinhardt School of Education. In October 2009, he worked with Ballet Fantastique at the Hult Center for the Performing Arts in the world premiere of his chamber ballet inspired by Vincent Van Gogh, “Night at the Café Terrace.” The work, including 25-part string orchestra and a commissioned backdrop by painter Rob Adams, was featured in cover stories in both the Register-Guard and Eugene Weekly. Jeremy traveled to Germany in January of 2010 for a multi-city tour of his new work for oboe and organ with oboist Amy Goeser Kolb and organist Julia Brown. Jeremy also completed a highly successful interactive and interdisciplinary dance commission for nationally recognized choreographer Brad Garner, which premiered in winter 2010 at the Robinson Theater.

Jeremy is a current PhD candidate in Music Composition and Music Theory at the University of Oregon, where he has studied with David Crumb, Robert Kyr, Steve Larson, and Jack Boss. He is completing a concurrent MM in Intermedia Music Technology under Philip H. Knight Professor of Music Jeff Stolet, and has been a Graduate Teaching Fellow in Music Theory throughout his tenure at the University. He came to Eugene, Oregon in 2004 from the University of Kansas where he received his MM in Music Composition, studying under Bryan Kip Haaheim. Though trained primarily as an “academic” instrumental and vocal composer, Jeremy has developed a persistent interest in collaborating with those involved in other artistic disciplines, as is evident in his work with Ballet Fantastique.

Ellen Jorde Urrutia

Co-Costume Designer

Ellen Jorde Urrutia is from Guadalajara, Mexico, and has an extensive background in clothing construction and design that encompasses costumes, theater, wedding and baptism gowns, and children's clothing. Her work for theater includes a collaboration with Jose Fors, an experimental multi-media theater group, and many original pieces for Ballet Fantastique (in partnership with Co-Costume Designer and Ballet Fantastique Artistic Director Donna Marisa Bontrager), including the entire suite for Ballet Fantastique's Carnival of the Animals with Eugene Symphony, A Novel Experience with the Oregon Mozart Players (modeled after an authentic Ballets Russes pattern), New York Tango with the Trio Voronezh, and Love at the Cafe Terrace with Ballet Fantastique Resident Composer Jeremy DeKyle Schropp.